My work investigates the fluid and evolving nature of memory, a practice I describe as the Archaeology of Memory. Through series like Memory Mutation, Childhood, Memory Drawing, Memory Box, and Realfake, I explore how memories are collected, distorted, and reconstructed over time. Memory Mutation visualizes the transformation of recollection through hybrid figures—half-human, half-animal—representing the fluid intersection between past and present. Childhood delves into early experiences, using playful colors and abstract forms to depict how vivid moments gradually fragment into dots as memories fade. These visual elements highlight the transient and mutable essence of recollection, shaped by both internal processes and external stimuli.